BBC Click visits a simulator lab that allows musicians to practice performance in real-world conditions. Sir Paul McCartney’s childhood home in Liverpool offers a rare glimpse into the early life of a global icon. We tackle the tough topics, like racism in the LGBTQIA community, mental health and the challenges facing queer youth, and also profile inspirational women who are making a difference to the lives of lesbian, bi and trans women.
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- “I’ve almost never seen a great musician who had an upper-class background. There’s something good about ghettos because if you come from there, it makes you want more. It makes you say, ‘One day I’ll be someone’.”
- While this is certainly the case for many stars (of all genders) who let fame get to their heads and then lash out at those they consider beneath them, it can’t be denied that many women are called divas when, really, they just know what they want, won’t be bossed around by others, and have the courage to go after their goals.
- But a new exhibition celebrates the diva for what she really is – fabulous, writes Deborah Nicholls-Lee.
- She was also beamed to prime-time TV audiences, such as her 1956 appearance on The Ed Sullivan Show,where she sang Vissi d’arte (I lived for art), an aria from Giacomo Puccini’s 1899 opera Tosca.
- “Be careful when you say ‘ghetto’… music comes from there,” she told French journalist Philippe Caloni in her final interview (1977).
Lizzo’s promotion of body positivity is just one example of how dedicated divas have used their platform for good. The trope of the demanding, drama-loving diva is everywhere throughout the history of stage, screen, music and more. But a new exhibition celebrates the diva for what she really is – fabulous, writes Deborah Nicholls-Lee.
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- Why labels like ‘high protein’ and ‘low fat’ and other ‘health halos’ can be misleading.
- Davis wrote in her memoir, The Lonely Life, “I have always been driven by some distant music — a battle hymn no doubt — for I have been at war from the beginning.
- DIVA magazine is the world’s leading magazine for LGBTQIA women and non binary people.
- A new documentary explores the highs and lows of Callas’s life, as well as what her legacy is today.
- We explore where our musical creativity comes from, and what happens to our brains when we improvise.
- There is only one Callas, yet there are seemingly countless incarnations; as listeners, we project our personal desires, and distresses, onto her expressions – and we continue to bond with her music, in unpredictable ways.
The musician explains a heavy moment thinking about the lyrics of a song from his forthcoming album. And if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.
While Garbo’s reclusiveness might have been perceived by many as snobbish, and her arguments with MGM executives deemed unprofessional, we cannot truly know the reasons behind her actions. Bass-baritone Sir Bryn Terfel is one of the most distinguished opera singers of our age. Her exacting standards underpinned a high-maintenance reputation; she also made no secret of her impoverished upbringing or early career.
And even worse, many of these men committed acts far worse than arguing with directors or looking down on others – like sexual harassment or abuse. While this is certainly the case for many stars (of all genders) who let fame get to their heads and then lash out at those they consider beneath them, it can’t be denied that many women are called divas when, really, they just know what they want, won’t be bossed around by others, and have the courage to go after their goals. In other cases, anxiety and insecurity can be misconstrued as diva behaviour, such as turning down signing autographs or being reluctant to do interviews. Davis wrote in her memoir, The Lonely Life, “I have always been driven by some distant music — a battle hymn no doubt — for I have been at war from the beginning. I was going to conquer the world.” Her determination for cinematic excellence is outlined here, loud and clear. For many people, especially during this golden age, seeing a woman act determinedly to achieve success was startling and, quite frankly, enough to earn them the diva label.
By using a term that reduces a person to a flimsy stereotype, you strip a person of their identity and complexity. Considering that much of what we know about celebrities has been constructed through the media, we can never be sure of what a person is really like unless we know them personally. In Beyoncé’s song ‘Diva’, she tells us that a “diva is a female version of a hustler”.
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Known for her short temper, love of gossip, and drive for perfection, many people have labelled her a diva. While these facts are likely very true – Davis might have very well been an insufferable person to be around – how much of this criticised behaviour was enacted by male stars, too? There were just as many hard-to-work-with men in the industry – and continue to be – who do not receive the diva label.
In the 21st Century, Callas has taken the form of a hologram on tour (though it’s unlikely that the real-life perfectionist star would have approved of the glitchy tech), and been portrayed by actresses including Fanny Ardant (in Zeffirelli’s 2002 biopic Callas Forever) and Angelina Jolie (set to star in Pablo Larraín’s upcoming film Maria). In 1936, dissatisfied with the unambitious roles offered within her contract to Warner Bros, and earning a salary inferior to her contemporaries, she sued the studio. Not only did her pay go up, but subsequent roles such as the stubborn and spoiled Julie Marsden in Jezebel (1938), which earned her a second Oscar, and the histrionic, ageing actress Margo Channing in All About Eve (1950) made cinema history, and cemented the trope of the drama-loving diva. If you’re not running to call a man a diva, then why are you calling a woman one for similar behaviours?
Перевод песни Diva (Beyoncé)
Derided in her youth for being fat, Callas was later slated for being Diva too thin; her weight loss was said to contribute to her vocal decline, although the intensity and range of her work was surely a factor. A new documentary explores the highs and lows of Callas’s life, as well as what her legacy is today. “She worked so hard, she made herself Maria Callas – she made herself the greatest diva,” Stella Kourmapana, archivist at the Athens Conservatoire, explains in Maria Callas, part of the BBC series Take Me to The Opera.
Two mountaineering musicians are combining classical music with the stunning scenery of the Cascade Mountains. Faced with motor neurone disease (MND), Paul Jameson is reclaiming his voice through opera. We explore where our musical creativity comes from, and what happens to our brains when we improvise.
Above all, the V&A’s DIVA will be celebratory, says curator Kate Bailey, who is keen to redress an injustice served to these extraordinary performers. “If you look at the nature of the diva as an artist and how often they are looked at and scrutinised in a way which carries a lot of negativity, when actually, these solo artists are hard-working, ambitious, visionary, trail-blazing… and should be celebrated for that,” she says. Known as “America’s Sweetheart”, but uncompromising when it came to her career, she broke from the stranglehold of the studio system to co-found production company United Artists, blazing a trail for numerous savvy successors, who have set up their own production companies to tell stories with strong roles for women. A Hollywood star whose diva label has arguably more legs to stand on, at least from an outside perspective, is Bette Davis.
DIVA magazine is the world’s leading magazine for LGBTQIA women and non binary people. Get a comprehensive understanding of the gut microbiome, the many species, and the vital roles they play. Dame Kiri Te Kanawa has enjoyed one of the longest careers in operatic history. “Perhaps Maria Callas, beyond her genius as a musicienne assoluta, so timeless and perpetually modern in the sensory impact it has on the listener, continues to fascinate because she actually has no true descendants.”
Divas, says Fairclough, are “symbols of empowerment, self-acceptance and celebration of individuality, and challenging societal norms” and, as such, play an important role in LGBTQ+ culture. On her podcast last year, Meghan Markle appeared to take umbrage at Mariah Carey calling her a diva, while Carey, the daughter of an opera singer, has come to embrace the term. “And yes, part of that is real.” Hip-hop star Lizzo, queen of feathers, fake furs and sexy stage wear, is another artist who leans into it, while, as a plus-size woman, subverting the archetype. Callas united so-called high culture and pop culture, without compromising her repertoire. Her performances caused a clamour at world-class institutions including Milan’s La Scala and New York’s Metropolitan Opera, and she collaborated with the likes of Luchino Visconti, Franco Zeffirelli and Leonard Bernstein, as well as Pier Paolo Pasolini (who cast her in the non-singing title role of his 1969 movie Medea, some years after her final concerts).